Fashionable Fictions and the Currency of the Nineteenth-Century British Novel
Lauren Gillingham

Revealing how a modern notion of fashion helped to transform the novel and its representation of social change and individual and collective life in nineteenth-century Britain, Fashionable Fictions offers a revisionist history of the novel. With particular attention to the fiction of the 1820s through 1840s, this study focuses on novels that use fashion's idiom of currency and obsolescence to link narrative form to a heightened sense of the present and the visibility of public life. It contends that novelists steeped their fiction in date-stamped matters of dress, manners, and media sensations to articulate a sense of history as unfolding not in epochal change, but in transient issues and interests capturing the public's imagination. Reading fiction by Charles Dickens, Mary Elizabeth Braddon, Mary Shelley, Edward Bulwer-Lytton, W. H. Ainsworth, Letitia Landon, and others, Fashionable Fictions tells the story of a nineteenth-century genre commitment to contemporaneity that restyles the novel itself.

Lauren Gillingham is Associate Professor of English at the University of Ottawa. Cambridge Studies in Nineteenth-Century Literature and Culture series, edited by Kate Flint and Clare Pettitt.

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