{"id":1742,"date":"2013-12-15T22:03:00","date_gmt":"2013-12-15T22:03:00","guid":{"rendered":"http:\/\/localhost\/scitent.com\/2013\/12\/15\/summer-seminar-neh-performing-dickens-oliver-twist-and-great-expectations-on-page-stage-and-screen-342014-77-812014\/"},"modified":"2013-12-15T22:03:00","modified_gmt":"2013-12-15T22:03:00","slug":"summer-seminar-neh-performing-dickens-oliver-twist-and-great-expectations-on-page-stage-and-screen-342014-77-812014","status":"publish","type":"post","link":"https:\/\/navsa.org\/2013\/12\/15\/summer-seminar-neh-performing-dickens-oliver-twist-and-great-expectations-on-page-stage-and-screen-342014-77-812014\/","title":{"rendered":"Summer Seminar: NEH \u201cPerforming Dickens: Oliver Twist and Great Expectations on Page Stage, and Screen\u201d (3\/4\/2014; 7\/7-8\/1\/2014)"},"content":{"rendered":"

<\/span><\/div>\n
<\/a><\/div>\n
National Endowment for the Humanities Summer Seminar<\/span><\/div>\n
University of California Santa Cruz<\/span><\/div>\n
July 7, 2014-August 1, 2014<\/span><\/div>\n
Deadline: March 4, 2014<\/span><\/div>\n
Stipend:  $3,300.00<\/span><\/div>\n
<\/div>\n
Applications are now open for \u201cPerforming Dickens: Oliver Twist and Great Expectations on Page Stage, and Screen,\u201d a four-week National Endowment for the Humanities Summer Seminar for College and University Teachers that Sharon Aronofsky Weltman is directing, sponsored by the Dickens Project at the University of California Santa Cruz.  Throughout the seminar, participants will examine Oliver Twist (1837-1839<\/span><\/a>) and Great Expectations (1860-1861<\/span><\/a>), along with a range of important film, television, and stage adaptations from 1837 to 2012. Many of these\u2014such as David Lean\u2019s 1946 Great Expectations<\/i> or Lionel Bart\u2019s 1960 musical Oliver!<\/i>\u2014have become classics in their own right.  The seminar will place the novels in theatrical context, discussing Dickens\u2019s own many connections to drama. These include both the theater\u2019s profound effect on his art (he wrote while acting out his characters in front of a mirror) and Dickens\u2019s dynamic effect on Victorian performance practice (through collaboration with other playwrights, his wildly successful reading tours, and the vast number of successful Victorian plays based on the novels).  The seminar will also ask more broadly how adaptations and performances interpret their source texts and affect their meaning. Placing different scholarly, critical, and theoretical traditions of performance, adaptation, literature, theater, and film in conversation with one another will yield important new insights. Dickens\u2014as an author who is inherently theatrical and is more frequently adapted than any other\u2014is an ideal vehicle to consider these issues. <\/span><\/div>\n

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Sixteen college and university teachers will read and discuss \u201cperforming Dickens\u201d as they work on their own related research projects, with a stipend of $3,300.00. Two of these sixteen spots are available for graduate students.  <\/span><\/div>\n
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For information detailed information about the \u201cPerforming Dickens\u201d NEH seminar, including how to apply, please see the website http:\/\/dickens.ucsc.edu\/neh\/performing\/index.html<\/span><\/a>.<\/span><\/div>\n
<\/div>\n
Seminar Director:  Sharon Aronofsky Weltman (Louisiana State University)
Visiting Faculty:    Tracy Davis (Northwestern University)
                                Carolyn Williams (Rutgers University)
                                Jacky Bratton (University of London-Royal Holloway)
                                John Glavin (Georgetown University) <\/span><\/div>\n

<\/p>\n

Website:  http:\/\/dickens.ucsc.edu\/neh\/performing\/index.html<\/a><\/span><\/span><\/div>\n
<\/div>\n","protected":false},"excerpt":{"rendered":"

National Endowment for the Humanities Summer Seminar University of California Santa Cruz July 7, 2014-August 1, 2014 Deadline: March 4, 2014 Stipend:  $3,300.00 Applications are now open for \u201cPerforming Dickens: Oliver Twist and Great Expectations on Page Stage, and Screen,\u201d a four-week National Endowment for the Humanities Summer Seminar for College and University Teachers that Sharon Aronofsky Weltman is […]<\/p>\n","protected":false},"author":6,"featured_media":1124,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[498],"tags":[633,644,953],"acf":[],"_links":{"self":[{"href":"https:\/\/navsa.org\/wp-json\/wp\/v2\/posts\/1742"}],"collection":[{"href":"https:\/\/navsa.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/navsa.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/navsa.org\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/navsa.org\/wp-json\/wp\/v2\/comments?post=1742"}],"version-history":[{"count":0,"href":"https:\/\/navsa.org\/wp-json\/wp\/v2\/posts\/1742\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/navsa.org\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/navsa.org\/wp-json\/wp\/v2\/media?parent=1742"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/navsa.org\/wp-json\/wp\/v2\/categories?post=1742"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/navsa.org\/wp-json\/wp\/v2\/tags?post=1742"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}