{"id":14795,"date":"2021-12-31T20:58:07","date_gmt":"2021-12-31T20:58:07","guid":{"rendered":"https:\/\/navsa.org\/?p=14795"},"modified":"2021-12-31T20:58:09","modified_gmt":"2021-12-31T20:58:09","slug":"monica-cohen-unintended-authors-piracy-plagiarism-and-property-in-victorian-popular-culture","status":"publish","type":"post","link":"https:\/\/navsa.org\/2021\/12\/31\/monica-cohen-unintended-authors-piracy-plagiarism-and-property-in-victorian-popular-culture\/","title":{"rendered":"Monica Cohen <em> Unintended Authors: Piracy, Plagiarism and Property in Victorian Popular Culture<\/em>"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"alignright size-full is-resized\"><img decoding=\"async\" src=\"https:\/\/navsa.org\/wp-content\/uploads\/2021\/12\/VPFA-title-blue.jpg\" alt=\"\" class=\"wp-image-14796\" width=\"-69\" height=\"-17\" srcset=\"https:\/\/navsa.org\/wp-content\/uploads\/2021\/12\/VPFA-title-blue.jpg 640w, https:\/\/navsa.org\/wp-content\/uploads\/2021\/12\/VPFA-title-blue-300x76.jpg 300w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><\/figure><\/div>\n\n\n\n<p><strong>Unintended Authors: Piracy, Plagiarism and Property in Victorian Popular Culture<\/strong><\/p>\n\n\n\n<p>A Special issue of <em>Victorian Popular Culture<\/em> edited by Monica Cohen that includes:<\/p>\n\n\n\n<p><strong>Articles<\/strong><\/p>\n\n\n\n<p>Monica Cohen: Unintended Authors: Piracy, Plagiarism and Property in Victorian Popular Culture<\/p>\n\n\n\n<p>Brian Maidment: \u201cThief in the Name of Kidd\u201d: Unscrupulous Opportunism and Cheap Print in Late Regency London<\/p>\n\n\n\n<p>Alexis Easley: Frederick Douglass, Copyright, and the British Press, 1845-47<\/p>\n\n\n\n<p>Rob Breton: Women and Children First: Appropriated Fiction in the Ten Hours\u2019 Advocate<\/p>\n\n\n\n<p>Erica Haugtvedt: Class and Complex Transmedia Character in the Early Victorian Period: Jack Sheppard (1839-40)<\/p>\n\n\n\n<p>Julianne Smith: Stage Piracy in Victorian Britain: Bleak House Adaptations<\/p>\n\n\n\n<p>Taryn Hakala: Melodramatic Mayhew: J.B. Johnstone\u2019s How We Live in the World of London<\/p>\n\n\n\n<p>Robert Laurella: Knighthoods and Empty Benches: Wilkie Collins\u2019s Armadale and the Late Victorian Culture Industry<\/p>\n\n\n\n<p>Katherine Bowers: Ghost Writers: Radcliffiana and the Russian Gothic Wave<\/p>\n\n\n\n<p>Mashael I. Alhammad:&nbsp; \u201cA Nondescript Monster\u201d: Fanny Fern in Transatlantic Print Culture<\/p>\n\n\n\n<p>Katerina Garc\u00eda-Walsh: Oscar Wilde\u2019s Misattributions: A Legacy of Gross Indecency<\/p>\n\n\n\n<p><strong>Book Reviews<\/strong><\/p>\n\n\n\n<p>Helena Ifill reviews <em>Gender, the New Woman, and the Monster<\/em> by Elizabeth D. Macaluso<\/p>\n\n\n\n<p>Asma Char reviews <em>Women\u2019s Authorship and the Early Gothic<\/em>, edited by Kathleen Hudson<\/p>\n\n\n\n<p>Maria Juko reviews <em>New Media and the Rise of the Popular Woman Writer, 1832-1860<\/em> by Alexis Easley<\/p>\n\n\n\n<p>Kathleen Beal reviews <em>Dickens After Dickens<\/em>, edited by Emily Bell<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Unintended Authors: Piracy, Plagiarism and Property in Victorian Popular Culture A Special issue of Victorian Popular Culture edited by Monica Cohen that includes: Articles Monica Cohen: Unintended Authors: Piracy, Plagiarism and Property in Victorian Popular Culture Brian Maidment: \u201cThief in the Name of Kidd\u201d: Unscrupulous Opportunism and Cheap Print in Late Regency London Alexis Easley: [&hellip;]<\/p>\n","protected":false},"author":5272,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[497],"tags":[2161,2160,677,2162],"acf":[],"_links":{"self":[{"href":"https:\/\/navsa.org\/wp-json\/wp\/v2\/posts\/14795"}],"collection":[{"href":"https:\/\/navsa.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/navsa.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/navsa.org\/wp-json\/wp\/v2\/users\/5272"}],"replies":[{"embeddable":true,"href":"https:\/\/navsa.org\/wp-json\/wp\/v2\/comments?post=14795"}],"version-history":[{"count":0,"href":"https:\/\/navsa.org\/wp-json\/wp\/v2\/posts\/14795\/revisions"}],"wp:attachment":[{"href":"https:\/\/navsa.org\/wp-json\/wp\/v2\/media?parent=14795"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/navsa.org\/wp-json\/wp\/v2\/categories?post=14795"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/navsa.org\/wp-json\/wp\/v2\/tags?post=14795"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}