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<\/a>BRANCH has just published the most recent set of essays, making the total word count of BRANCH now close to 500,000 words. The most recent additions are as follows:<\/span> <\/span><\/div>\n- \n
- Sean Grass (Iowa State U), \u201cOn the Death of the Duke of Wellington, 14 September 1852\u2033<\/a><\/span><\/li>\n
- Deborah Nord (Princeton), \u201cOn Augustus Egg\u2019s Triptych, May 1858\u2033<\/a><\/span><\/li>\n
- Linda M. Shires (Stern C of Yeshiva U), \u201cColor Theory\u2014Charles Lock Eastlake\u2019s 1840 Translation of Johann Wolfgang von Goethe\u2019s Zur Farbenlehre (Theory of Colours)\u201d<\/a><\/span><\/li>\n
- Karen Weisman (U Toronto), \u201cAnglo-Jewish Culture and the Condition of England: The Poetry of Marion and Celia Moss\u201d<\/a><\/span><\/li>\n
- Phyllis Weliver (Saint Louis U), \u201cOn Tonic Sol-fa, January 1842\u2033<\/a><\/span><\/li>\n
- Sharon Aronofsky Weltman (Louisiana SU), \u201c1847: Sweeney Todd and Abolition\u201d <\/a><\/span><\/li>\n<\/ul>\n
Sean Grass offers up BRANCH's first entry on the death of an individual as event. Deborah Nord and Linda Shires offer up articles on art history while Phyllis Weliver provides us with a first BRANCH entry on music. Linda Shires' piece is a companion to her earlier BRANCH article on George Field's Chromatography of 1835. Karen Weisman examines the significance of the lesser known poets Marion and Celia Moss. And Sharon Aranofsky Weltman's piece joins a series of BRANCH articles on theater and theatricality, including previous articles by Ellen Malenas Ledoux, Renata Kobetts Miller, and Angela Esterhammer.<\/span>
<\/span>Visit website.<\/a><\/span><\/div>\n","protected":false},"excerpt":{"rendered":"Editor: Dino Franco Felluga BRANCH has just published the most recent set of essays, making the total word count of BRANCH now close to 500,000 words. The most recent additions are as follows: Sean Grass (Iowa State U), \u201cOn the Death of the Duke of Wellington, 14 September 1852\u2033 Deborah Nord (Princeton), \u201cOn Augustus Egg\u2019s […]<\/p>\n","protected":false},"author":6,"featured_media":1240,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[497,1],"tags":[1174],"acf":[],"_links":{"self":[{"href":"https:\/\/navsa.org\/wp-json\/wp\/v2\/posts\/1172"}],"collection":[{"href":"https:\/\/navsa.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/navsa.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/navsa.org\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/navsa.org\/wp-json\/wp\/v2\/comments?post=1172"}],"version-history":[{"count":0,"href":"https:\/\/navsa.org\/wp-json\/wp\/v2\/posts\/1172\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/navsa.org\/wp-json\/wp\/v2\/media\/1240"}],"wp:attachment":[{"href":"https:\/\/navsa.org\/wp-json\/wp\/v2\/media?parent=1172"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/navsa.org\/wp-json\/wp\/v2\/categories?post=1172"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/navsa.org\/wp-json\/wp\/v2\/tags?post=1172"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
- Deborah Nord (Princeton), \u201cOn Augustus Egg\u2019s Triptych, May 1858\u2033<\/a><\/span><\/li>\n