CFP “Rethinking Early Photography”
University of Lincoln
June 16-17, 2015
Deadline: January 12, 2015, 5pm (GMT)

Keynotes: Kate Flint, Lindsay Smith, Kelley Wilder

“Rethinking Early Photography”
Attitudes to photography have undergone a radical shift in recent times. Partly in response to these contemporary changes, historians, curators and photographic practitioners have begun to re-examine older forms of photography: exploring the wide variety of historical technologies and techniques, finding surprising ways in which images were manipulated and determining how an ideology of photographic realism was maintained. Yet there remains a need for scholars to explore questions of early photographic “authorship”, singularity and objectivity in much greater detail.

Scholarly studies of nineteenth-century photography have been heavily influenced by later theoretical constructions. As an alternative, Daniel Novak has posited a “Victorian theory of photography”. Yet this theory remains unelaborated. Similarly, Elizabeth Edwards and others have called for a move away from the traditional Art History model of analysing photography. This interdisciplinary conference will explore the question of what such an analysis, and such a theory, might look like.

Possible questions and areas of interest for the conference include:

• How do technological narratives influence our understanding of photography?
• Photography as a business; photographers as workers.
• The hegemony of nineteenth-century photographic realism, and resistances to it.
• Can/should we do away with the Art History model of photography?
• Alternatives to the photographer-as-author model of photographic exhibition and analysis.
• To what extent can we think of photography as being separate to other print and visual media?
• The role of photography in the creation of nineteenth-century celebrity.
• Early photography as represented in literature, art and film.
• Photographs as networks; photographs as objects.
• When does “early” photography end?
• Does digital photography allow us to "read back" the performativity of images from earlier periods?
• How might the revival of Victorian photographic techniques by current practitioners influence historians?

Organisers: Owen Clayton, Jim Cheshire, and Hannah Field.

To submit proposals for 20 minute papers, please send an abstract of 200-250 words to rethinkingphotography@gmail.com. The deadline is January 12, 2015, 5pm (GMT).